Monday, 9 September 2019

Sonata Arctica " Talviyö" review

OH BOY HERE I GO REVIEWING AGAIN!

Let's start by showing how the summary of the last album went:

This is a perfect summary of my relation to that band. I probably won't see it live again, but who knows. I won't trust them to deliver good music as well. But for now I smile, the music is better than it was, and who knows? It might be a new start.

So let's see how my 'new start' went after past 3 years of having a love-hate relationship with Sonata Arctica. Will it be our last amazing grays or should they don't say a word again? Let's jump in with the first track on the album Message from the Sun 

Wow, semi fast tempo was something I didn't expect from them anymore. Positive, magical vibes of the song are taken down by absolute lack of power in the vocals, hidden behind multi-layered lines that suggest it's a song where the audience sings along in order to hide Tony's declining skill in singing. Lyrics are solid but there are some strange decisions (for example the outro cuts rather weakly with Glow, the meaning divine of the rhymes in the snow. )
The sound is absolute plastic, it starts rather strong with a slower intro but with each second I think more and more "why do they need guitars in that music anymore? Elias's parts are treated like shit". Solo in the 2/3 of the songs starts weak like hell, I needed to play it again since I already forgot how forgettable it was.

Overall a bad start, tiny bit better than Closer to an Animal from the last album, but there Tony sounded more interested in what he's singing. A pity, it had potential to be a bridge between Winterheart's Guild and Unia's Sonata eras with a handful of ideas taken from both of these albums but the mixing and weak vocals ruined this opportunity.

Whirlwind is a second track and the intro part sounds rather interesting (just like with the last song) for the first 50 second, then the tone shifts by 180 degrees. And after a few minutes more we finally have a good Sonata song. Ok, time to explain.
It shows how important is a vocalist puting some emotions and effort in a song- it's clearly hearable he's more invested here. Thematically it's a mix between Broken and Only The Broken Hearts (Make You Beautiful) , the structure (excluding the intro) is very right and the song progresses nicely.
You can hear someone who is during the healing process, being both optimistic for the recovery and struggling during the winter times (which adds to the winter night tone of the album).

It's good, but I cannot say "omg they NAILED IT!". First of all the production is still far from perfect, I don't think I need to explain, it's been a bigger or smaller issue since Pariah Child. Second- the intro- from the moment electric guitars enter it doesn't fit the motive at all, or I'm not understanding something right. Then the tone of the song is all around- the 'happy' parts are just too happy (Tony is almost TOO invested in sounding happy, he could channel it to the previous song) and transition to the sadder parts could be made less abrupt. Instrumental parts with the previously not fitting electric guitar don't help set the climate either.
The outro also struggles during the 4:55 - 5:22 part with some weird ideas and repetitions.

Cold is third and I heard it before on Youtube. Album's quality is much better but it doesn't help with 2 things - Tony's bored and uninvested singing and very slow tempo. Multiple comments on youtube were right that this songs sounds quite decent on 1,25 tempo.
I think the worst part is transition to a (finally) decent guitar solo, the vocals just don't give a shit. To a point where I remember George Carlin's quote about God:

So, if there is a God, I think most reasonable people might agree that he's at least incompetent, and maybe, just maybe, doesn't give a shit. Doesn't give a shit! Which I admire in a person, and which would explain a lot of these bad results.”

Tony doesn't give a shit here, his album will still sell enough copies to have a living, there will still be enough fangirls and "Sonata come to Chile" people in the comments plus some delusionals that will read sponsored by Nuclear Blast album reviews saying "hey Sonata is back with their best album yet!". When you are burned out and don't need to push yourselves to do better then why should you?

I digress, back to the review, Cold is shit that again- could be a lot better with a very little effort, move on to Storm the Armada
Now this one is pretty interesting- Tony's invested in singing again BUT the production pushed him behind everything, his vocals here are so behind that I think most of them are in the booklet.
There are some quirks connected to that, like his someway in 2:31 being more audible than the rest of the lyrics which sounds really bizzare, like a novice mistake on a mixing table, unfit for 10th fucking album from them.
This song is all around the place, I had no idea what are they trying to say with multiple instrumental parts, tone shifts and lyrics about seemingly just random shit but the ending is clearing out the message- THE BEES

It's weird and I don't like it, moving on, maybe like Zeroes I will start to like it after multiple listens but probably not because Zeroes had a decent audio engineering behind it.

The Last of the Lambs. LISTENING TO THIS SONG IS PAIN, MORE THAN NICHOLAS CAGE ABOVE IS FACING. MOVING THE FUCK ON. DON'T LISTEN TO IT, GET A SOFTWARE THAT CAN ERASE TRACK 5 FROM THE CD OR SOME SHIT.

Who Failed The Most - You did Sonata, a few seconds ago releasing the worst song since Love and following with a bland, badly mixed, too slow piece with Tony's bored vocals. This song is not worth talking more about it, it barely has any redeeming values.

Ismo's Got Good Reactors - best song on the album. Why? No vocals. Therefore harder to fuck up the mixing. Interesting riffs and nice fast tempo with some uplifting, even oriental melodies.
Maybe consider kicking Tony out of the band? It looks like he's the weakest part of the band nowadays. The story behind the song's name is also quite fun.

Demon's Cage . Ok, first of all how dare you mention the "C" word here, The Cage was and is an amazing song from the Sonata's best, flawless era and this is .. A lot of repetition, a lot of experimentation that absolutely fucks the dynamic of the song- there is no flow, some vocals are written by an idiot. It's just hard to listen to, after 3 minutes I struggle to pay attention to it.
I wonder why they repeat the same melodic line, it's not that good really..

A Little Less Understanding is a little less bad, but also a little more disappointing since it was the first song of the album shown to the public and it wasn't anything amazing. Turns out it was one of the "good" songs on the album with Tony's soft voice being kinda invested in singing, there are no dumb experiments and just a lot of repetition (but the melody is nicer so it's.. ok?).
I have a little less understanding what they wanted to say with this album, maybe "we are really scraping the bottom of the barrel on this one, in 3 years we really couldn't think of anything better". Oh, and the most cheesy solo is here, in the worst meaning of the word.

The Raven Still Flies is a story, I think. I'm not sure. Probably something written on the back of the album package
JARI FOR THE LAST TIME FUCK OFF WITH YOUR FOREST PACKAGE, I GAVE YOU 50 EURO WHAT MORE DO YOU WANT!? LEAVE ME ALONE!

...
So as I was saying something on the back of the album package
fuck off, for older fans to buy it thinking it's maybe something connected to Wolf & Raven.


I hope You know.. I hope You know
No Tony I have no idea what you want to say with this song.
During the instrumental part I'm really lost, it's just another experimentation song, something that should never exit the demo phase. Something that Devin Townsend thinks of in the middle of the night and puts on Youtube as "thought leftovers" with some very disturbing images on a Youtube video. God I digress so bad but this album is just so bland, boring, meaningless and THE LAST SONG, HERE WE FUCKING GO!


Some Galneryus break to recharge batteries, phew, The Garden

Just 6 minutes, after painfully stretched last songs, I can do it! Oh it's like a ballad I think, soft and calm, like observing a cold winter wind behind a window of a warm room under a blanket with a cup of cocoa in a hand. 
At least that what I was hoping for, in time it's just too boring, too long and too sweet, to a point where I start worrying about diabetes. I'll give it a pass.


Ok, so I think I need to write a summary now.
It's bad. Is it Pariah Child bad? I don't know, it's like comparing cat shit to dog shit, in the end it doesn't matter which is worse since both are shit.
Why are there 11 songs on this album? Couldn't they skip a few and call it a day? It might have helped with some of the problems but in the end we have 2 good songs, 4 bland but passable and 5 bad/boring ones. The worst part is that you cannot blame shit audio engineering and bored vocals for all the problems here. That and that we waited 3 years and the band wasn't particulary active in that time so they cannot justify bad writing with little time they had to come up with something for this album.

I really don't want to talk about this cd anymore so;

Vocals: 2/10
Guitars: 3/10
Keyboards: 6/10
Drums: 8/10
Bass: Just fuck you Pasi/10

Additional: 
+ There is one song that has that Sonata feeling. I really appreciate it, it made me for a minute feel young again.
--- mixing
-- vocalist sounds like he doesn't want to be there more often than not
- a lot of experimentation that shouldn't appear on a final product
- everything out of touch, out of place, all bloated, too long, not necessary. It just lacks essence and message.
- major disappointment after the previous album which had it's moments

Final score: 24% oh how the mighty have fallen, hopefully it's the last one or they will have a major reinventing afterwards because this album is broken. As the song with that title says Once again hope I died for the last time

Friday, 8 March 2019

Welcome Band-Maid to my list of favourites

Today:

 0. Band-Maid
 1. Avatar
 2. Trollfest
 3. Insomnium
 4. Whispered
 5. Babymetal
 6. Gloryhammer
 7. Omnium Gatherum
 8. Cain's Offering
 9. Galneryus
10. Stratovarius
11. Devin Townsend
12. Delain
13. Alestorm
14. Skálmöld
15. Wintersun

Yes, there was a hidden number 0 band on my list, cheers for those who noticed.
Titanium and Pathfinder are out. Why? Well, I don't really count dead bands, otherwise the list would be dominated by Dio and Charon. I don't think Pathfinder will play again and Titanium probably will play again once more in the future but for now they are out. Delain is moved far as they definitely don't deserve a spot in top 10 because of how they mistreated gifts from me on Masters of Rock 2017, how they handled their live dvd cashgrab and how Martjin blocked me for absolutely no reason (and I really mean it).
We have 3 newcomers though! And the list is longer to a healthy 15. Devin Townsend fits nicely on number 11, he's a wonderful man and probably the best musician I know but for many personal reasons other bands have still a bigger impact on my life. But when we count single people, not bands then he's my number 1 definitely.
Avatar is one of the best discoveries in the last few years, holy shit Johan my boi and jesus christ man u scary fam. Ok, I'm back to writing as a human being- amazing sound, diverse as fuck, can do concept albums well which is very rare nowadays and live in my top 5 concerts in a lifetime.
Give that frontman a circus.

And my magical secret-no-more (Sonata Arctica's Blinded No More plays in the background) number 0 is a girls-only japanese hard rock band.Those girls are cute as hell and I've always been a huge sucker for japanese girls (before I was fat and into anime/manga so you can't say it was since I am a creep). They have all the right sound for me- more power than some power metal bands, fast singing in a difficult language which naturally makes me try to sing it, distinct bass guitar I can hear almost all the time, fucking cool drum patterns, guitar solos are crafted to fit and not to show off and they utilize a ton of various ideas for songs like radio vocals, shamisen, amazing song building and some punk rock attitude at times.
Definitely an unique band, I will do what I can to see them live in the future.
Also I can't pick my favourite one ;_; they are all so wonderful

Friday, 8 December 2017

10 most astounding songs I've ever heard


These are not "the best" songs, although not far away from that term. These are the songs that absolutely blew my mind the first time I heard them. With one exception these were not the first song I've heard from that artist, so most of the time I knew what I was listening and I knew what to expect from the song.
But then the expectations were shattered, the song overwhelming me, stoping my life for those few minutes and leaving me speechless afterwards. Those are 10 songs that I recall that totally blew me away, often leaving me in tears and begging hard for relistens, despite being dangerous to my heart rate.

For the sake of this little fan article perhaps I should order them from 10 to 1, from the least shocking to the most but it's like comparing heart attacks. So maybe I'll order them from the first to the most recent instead.


10. Stratovarius- Elysium

Yes, let's start with the monster. After hearing multiple long, epic, everchanging power ballads from Sonata Arctica I thought in 2011 that no other long power metal track can blow me away, especially from Stratovarius, a band I believed back then was learning how to walk again after good but not amazing Polaris album. And then this happened, a three part monster that took a dump on everything Sonata made to this point and then added some more so that no other band could ever hope to match this song when it comes to power metal. Sadness, unsureness and hope presented by masterwork lyrics and Kotipelto's top vocals with several amazing solos here and there and the best outro ever recorded.

9. Litvintroll - Lipka

I ate my teeth on folk metal before 2013. Tons of Korpiklaani, Alestorm, Finntroll, Moonsorrow and Trollfest, Turisas and Wintersun to that point in time made me believe that I've heard the best there is in that subgenre of metal. Then comes a small, barely known band from Belarus and sings old folk song in Polish (I don't know the origins of the source song), blowing me away in the first 90 seconds with sad as fuck adaptation of that song, the bagpipes only adding a ton of sorrow to the already sad song sung by Andrei with sudden growl scream accompanied by a powerful guitar and keyboard solo closing the song. It was rare for keyboard solos to appear in folk metal and the mellow mood it set while closing the song was an absolute treat and perfection, making me tear up easily.
There are more bombastic folk metal songs than this one, but literally no one saw that coming from a little unknown band back then, and even though they disbanded it's still the best damn folk metal song I know, perfectly capturing that raw folk metal can be serious and powerful.

8. Dreamshade- Consumed Future

When I heard about Dreamshade for the first time I was at the age where I believed anything with -core in it's name can't be any good. I heard some metalcore and deathcore bands to this point, so when I heard  that there's a melodic metalcore/deathcore band from Switzerland that mixes some melodic death metal into their music I was VERY negative towards them when I looked them up on Youtube. And the first 13 seconds almost made me turn it off. "oh what a meaningful guitar intro, sooooo compleex, girls must be creaming themselves where listening to tha-......" and the moment I lost my voice was at the 14 second mark when the drums hit in heavily with a wall of sound made of perfectly in sync lead and rhythm guitar. Every transition bringing something new to the mix, changing the tempo and blowing me away even more. The build, the drums and the pure FURY in vocals made me an instant fan, ashamed as fuck of being negative towards it in the beginning. The slower and calmer outro felt like sloppy seconds after an intense orgasm. Afterwards I never judged a song just because of it's genre, I think. Except for thrash metal, but it's trash, huehueh.

7. Tuomas Holopainen - A Lifetime of Adventure

The only slow song on that list, it was magical when I heard it for the first time. Back then I still had somewhat mixed feelings towards Nightwish. I didn't hate them anymore, but sure as hell I thought they were heavily overrated. But when I heard my favourite finnish female vocalist was singing it I checked it out. And oh boy. I had the sweetest dreams for a week after hearing this song for the first time. I've never heard Johanna sing that softly before, the songwriting beats any movie score I've heard before, same with orchestrations. The lyrics capture perfectly the spirit of the Don Rosa's best comic and since I have treasured the The Life and Times of Scrooge McDuck comic with an eleven bags of respect towards it's creator it truly felt like fiction coming to life, making it possible to feel it with other senses than sight. Absolutely wonderful.

6. Babymetal - Akatsuki

2014, a year when if You wanted to have more metalhead friends than before you just had to scream "I hate Babymetal". I've never hated them, since the beginning they were a fresh idea in a metal world, and their contribution to power metal was a very welcome surprise. But before buying the album I still thought of them as more of a gimmick than a real band. All of their songs were very silly, over the top and the vocal talent of Suzuka Nakamoto was still hidden behind 2 other girls. A sixteen years old girl, totally blowing me (away. Not talking about blowjobs from my 16yo ex girlfriend). Damn my jokes on this blog are hitting the rock bottom. Anyway, Akatsuki is the most serious song on the album, with beautiful and poetic-as-fuck lyrics and Su-metal is singing solo, sending shivers down my spine in the intro, just before the guitars enter the scene. When the chorus hits with that hellish drum warmachine and orchestrations and "even after thousand nights this love shall survive..." it broke me. And it only gets better after that, the vocals keep making my nerves thrash from orgasmic spams and the song tricks me with the slower parts making me think "oh, I think it's over.." and then going fast again and again. As expected from that band the outro is powerful and sudden, not giving a fuck about your heart rate.

me during Akatsuki


5. Stratovarius- My Eternal Dream

Oh look, a Strato fanboy that throws 2 songs of theirs on the list and not a single Galneryus song.. The truth is after the amazing Nemesis album I did not expect Stratovarius to top it with Eternal. And they didn't, actually. But the single to promote the Eternal album took me by surprise, I did not expect to hear one of the best power metal songs after like 12 years of daily doses of power metal. It's three times shorter than Elysium, goes straight to the point and the perfectly directed visuals of the music video make it ten times more meaningful and powerful. Fast tempo, the most extreme keyboard solo I've ever heard and the picture of the dying solider, spewing blood and a kid trying to save him with his own shirt hits hard as fuck. The last image and sound of hope perfectly close the song and the video. If You ever want to introduce someone to Stratovarius music then this song is the perfect choice.

4. Omnium Gatherum- Frontiers

The holy grail of 2016. Finally a song that captures everything that's beautiful in melodic death metal. Their previous album Beyond had a huge impact on my life as it was my crutch in the hard times in 2013-2014 and I was honestly scared that I'll be disappointed with the next Omnium Gatherum release. This song made the fear go away, and for those few minutes made my life right. Everything I did to that point in my life felt like the right choice. Me being a fan of this band made me feel for those few minutes complete, something not a single exgirlfriend of mine made me feel. It's the absolutely perfect melodic death metal song. We have a warmup, the heavy and fast juice with growls, headbanging, slower and instrumental bridge, singalong and softer chorus with absolutely outstanding keyboard background, an easy to follow structure that after second chorus goes to clean vocals, soft parts with keys and tears in eyes, goes back to a chorus and leaves the outro to a lead guitar and the solo. The solo that shuts mouths. So you can listen to the choir "Frontiers..." one last time. This is beyond mastery, it's virtuosity of melodic death metal.

3. Titanium - Delusive Skies

or as I like to call it The Life and Times of Frania Srania. Karol Mania's best song ever, that made me check again if I listen to the same album and band. I don't like to say "epic" when talking about music but it's just here, the most epic and powerful usage of background choirs in the chorus of this song and Konstantin Naumenko's (Koncio Nomnomko's) absolutely stunning vocal performance blew me away, along with the bells. More bells in power metal, now, please. This song also proved that the change on vocals was neccessary for the band to progress. There's just no way in heaven or hell for the previous vocalist to sing nearly as good as Koncio did here. This song was a ravine that separated a world class vocalist from a mediocre one.
Also not a single previous Titanium song could prepare you for this monster. And the whole song is about a bad weather on a trip.. Sadly it's still not available to the public outside of imported cds from Japan.

2. Insomnium- Winter's Gate

well technically it's a one song. And one album


2016 sure was a fun year. Omnium Gatherum and Whispered released great albums and Insomnium in the meantime was talking with their publisher like:
- hey, our bassist wrote a short novel, we would like to publish it if possible
- hmm, allright, but make some music along with it, ok? Doesn't have to be a lot of songs, like an ep. or something
- sure, I bet we can squeeze at least one song out of this material

que the most absurdly outstanding tracks in the history of melodic death metal. A 40 minute long monster with cold-as-fuck atmosphere that's warmed by a little girl Síne hugging a big viking guy. No one in the world could expect a move like that, especially after the amazing previous album. Insomnium didn't have to do something as  good as this track, but I'm sure glad they did. There's everything in this song, hookers, thai boxing and blackjack. It's been over a year and I still cannot fully comprehend this track, maybe I'm just mentally challenged?

1. Persefone- Living Waves

This one is unique here, as it took me some time to fully understand what's it about. At first it was a extremely solid progressive melodic death song with a long break/build-up in the middle and weird outro. But after reading the lyrics I understood it's some kind of a self-control mantra/prayer, and that repeating the 'chorus' helps me calm myself down. The lack of emotion of the vocals in the beginning and the growls that scream about letting go of anger only add to the otherworldliness of this song.


Breathe every piece of the existence
And feel the entire universe inside of you
Evolution in compassion
Expanding boundaries where there are no more
Giving birth to a new way of being!!

I transcend
I flow
I am the ocean
I vibrate
Behold, the sound of a living
I transcend
I flow
I am the ocean
I vibrate
Behold, the sound of a living wave

I let go of anger
I let go of judgment
I let go of guilt
I let go of fear
I feel I'm nothing but a living wave

Those lyrics, the way they are sung and the very progressive sound all add up into this cosmic feeling that you should change for the better, discover something new, expand your boundaries, be something more. And don't write on your blog at 1 am again, because you start to write weird shit.


No links on the post because music is about exploring, so do some for once you lazy bastard. Also Titanium's song is impossible to find on Youtube. This is most likely my last post in 2017, thank You for another cool year and big, massive thanks to Anette Olzon and Nordheim for sharing their respectable album reviews and bringing more viewers here- it's been awhile since I was ashamed of the stupid shit I post here. Cheers!